Game of thrones abrams

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The creator of Lost J.J. Abrams has directed films of famous movie franchises such as Star Wars, Mission: Impossible or Star Trek, all of them characterized by large doses of action, and in a recent interview with MTV News on the occasion of the promotion of the new film he produces, Overlord, he joked about the possibility of being one of those in charge of developing the Game of Thrones prequels that HBO is so interested in.
It would be an honor,” he responded about the possibility of directing for the famous series. “I’m impressed with what they do, they make movies in every episode. The truth is I probably wouldn’t want to be involved and demystify it. I just like to see it from the outside
For his part, Overlord director Julius Avery admits he’s a little “jealous” of the quintessential Game of Thrones battle scene: the one for which the season six episode ‘Battle of the Bastards’ is named. I’m a big fan of the Battle of Bastards episode. Doing a battle scene like that would be really cool. I know they did one that took 50 days to shoot, just a battle scene. I’m pretty jealous

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In this second part, the plot intensifies and begins to reveal the personalities of the main characters and their lust for power over the Seven Kingdoms. In the Narrow Sea, Daenerys, suffers from her brother’s delusions of grandeur. Planeta Cómic is pleased to present the second installment of the official adaptation of the brilliant novel Game of Thrones.
After attending a round table in October, in which one of the speakers was Cristina Macía (a translator with an overwhelming personality), I was curious about the Spanish version of “Game of Thrones”, from the point of view of translation.
After attending a round table in October, where one of the speakers was Cristina Macía (a translator with an overwhelming personality), I was curious about the Spanish version of “Game of Thrones”, from a translation point of view.
Game of Thrones is the story of the struggle for a throne, the iron throne, forged with the swords of defeated enemies. In the legendary world of the Seven Kingdoms, where summer can last decades and winter a lifetime, and where traces of an immemorial magic emerge in the darkest corners, the northern land, Winterfell, is in the midst of the battle for the throne.

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In the first spring of the decade that is now ending, the world came to a standstill with the broadcast of the final episode of Lost, the J.J. Abrams production that elevated television fiction to the category of planetary event. It was a sign of all that was to come. Ten springs later, the Game of Thrones finale on HBO closed a global phenomenon that achieved an unprecedented cultural impact. In all that time between one title and another, serialized fiction experienced its hatching as the great form of mass entertainment, underwent transformations such as the birth of streaming and pushed overproduction beyond the limits of what the market manages to encompass. Several memorable titles marked the golden decade of the series.
An imminent end. In the first decade of the 21st century, the great Carrie of television was the protagonist of Sex and the City. In this second decade, there was another, Carrie Mathison, the CIA agent with bipolar disorder who stars in the terrorism and espionage thriller Homeland. The series was amazing in its first seasons, in which actress Claire Danes won two Emmy and Golden Globe awards for a role that shone while having Sergeant Nicholas Brody as her antagonist. Already sold out, the series will put its finale in 2020.

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Game of Thrones #02, by George R.R. Martin, author of the successful epic fantasy saga A Song of Ice and Fire (Game of Thrones, Clash of Kings, Storm of Swords, Feast of Crows and Dance of Dragons) is the second installment of the official comic book adaptation of the brilliant novel Game of Thrones, which began with Game of Thrones #1. It’s a brilliant mix of epic fantasy, surprising betrayals, feuding families, nuanced characters and unexpected twists and turns, trapping the reader in a mesmerizing and dangerous crossroads.
Game of Thrones #02, by George R.R. Martin, author of the successful epic fantasy saga A Song of Ice and Fire (Game of Thrones, Clash of Kings, Storm of Swords, Feast of Crows and Dance of Dragons) is the second installment of the official comic book adaptation of the brilliant novel Game of Thrones, which began with Game of Thrones #1. It is a brilliant mix of epic fantasy, surprising betrayals, feuding families, richly nuanced characters and unexpected twists and turns, trapping the reader in a mesmerizing and dangerous crossroads.

Eduardo José Cazorla